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Learn about the music of Lyra's opening Mainstage concert

Friday, September 25 @ noon

The Rise of Musical Genius in the Enlightenment

Pre-season history lecture on the music of Lyra's first Mainstage concert with Tsutomu William Copeland

Lyra's opening Mainstage concert on November 6/7/8 will feature music from the Mozart generation. Join us for this special pre-season lecture on the people, places, and events that shaped the music.

 

What does it mean to call someone "a Mozart?" Why do we still remember the name "Mozart" when so many others have been forgotten by history? What can the present-day fame of Mozart teach us about listening to other music from his time? And, after all is said and done, does Mozart actually deserve to be remembered as the standout musician of his generation?

 

All these questions and more will be addressed in this introductory lecture on the forgotten music of Mozart's generation, accompanied by plenty of images and sounds from the time. Bagels and coffee will be served.

Friday, September 25 @ 12-2

The Baroque Room: 275 E 4th St. Saint Paul, MN 55101

Tickets sold at the link below and at the door. 

Ticket price: $30 per person, includes bagels and coffee

About the lecturer

Tsutomu Will Copeland (b. 1998) is a Japanese-American musician who specializes in violin music before the year 1700. He grew up in the San Francisco Bay Area before pursuing degrees in modern and early violin at Curtis and at Juilliard, where he is currently in residence as a C. V. Starr Fellow in Historical Performance. He is writing his dissertation on the earliest surviving violin music, a set of virtuosic dance arrangements from Tudor England. At the violin, Will has led a variety of early music ensembles from New York to Tijuana in performances of underrepresented repertoire from the 16th century to today, and from modern-day premieres of early repertoire to newly composed music written for early instruments. He also enjoys playing violin-shaped objects such as the tenor viola, the lira da braccio, and the viola d'amore, and frequently composes, reconstructs, arranges, and transcribes early music for himself and others. Will is particularly happy when he gets to work on music which only survives in fragmentary form, and to share it with audiences for the first time in modern history. When he is not reading for school or for pleasure, you can find him on one of his extremely long walks.

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Lyra Baroque Orchestra, 501(c)(3); EIN 36-3369159
info@lyrabaroque.org

275 East Fourth Street, Suite 280
Saint Paul, MN 55101

© 2026 by LYRA 

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